the platform.

the platform.

your record, from first bar to release.

dreamsdemos is more than a room. every song here lives one connected life — written, recorded, revised, shared and released in one place, with the busywork handled for you.

your project, organized.

songs, lyrics, sessions, versions and credits, each kept with the record it belongs to — so nothing gets lost.

everything in one place.

your hub holds every project and song, and every version plays right there in the browser — no downloading mp3s.

we handle the busywork.

the emails about bookings, requests and progress send themselves, and every change is written down — the admin runs itself.

the thread.

one band. two records.

this page isn't a mockup. it follows PIGS DON'T FLY — a band making a record on the platform right now, and the EP they put out before it. every demo below runs on that record's real shape: its songs, its versions, the state it's actually in.

'til DEATH do us PARTY — cover art in progress

'til DEATH do us PARTY

6 songs · lyrics at v8 · mix v9 in revisions

the record you'll follow through every chapter below.

Eyes closed, mind full throttle — EP cover art released

Eyes closed, mind full throttle

released november 2025 · live on our public portfolio

the one that came out the other end — you'll meet it again at the finish.

01 · start it.

projects and songs.

an album, an EP, a single — you open the project yourself from your hub and put the songs in it. from that moment the record has a place to live, and every song in it carries its own five-stage pipeline from recording to release.

two demos. press through them — they work.

live demo — try it.
project hub.

'til DEATH do us PARTY

  • 1
    SHAKE IT ALL
  • 2
    CLOSER / WITHOUT YOU
  • 3
    OFF THE ALBUM

a project is yours to open — an album, an EP, a single — and the songs go in one at a time, each taking the next place on the record.

02 · write it.

the lyrics studio.

a quiet place to write, next to your audio: it autosaves as you type, keeps every version, and holds a bar dump for the lines that don't have a home yet. then you agree on the words, line by line — and then you tell it when each one happens.

three steps, one lyric. type over it if you like — the next step will use your words.

live demo — try it.
song hub.

AMNESIA.

saved · v1

type and it saves itself; press save and those words are kept as a version for good. the bar dump is where a line waits until it finds its song.

03 · plan it.

task management.

every song carries its own to-do list — the little things that would otherwise live in a note on somebody's phone. flag what matters and it rises to the top of the record; group the rest into passes that wait their turn.

three demos. press through them — they work.

live demo — try it.
song hub.

CAN'T PICTURE YOU

3 open
Add ad libs, backups, and details to the performances recording
Final mix mixing
More energy in production in drop production

a to-do list that belongs to the song, not to a document somewhere. type it, pick what it's about, add — and tick one off to watch it leave the list for the completed drawer.

04 · record it.

press start. play. press stop.

we keep the clock and log what happens while it happens — and afterwards the session comes back to you: what we got down, how it went, and the files, on a page of your own.

  • every moment gets logged with one tap — recording, producing, mixing — so the next day never depends on anyone's memory.
  • the morning after, everyone who was there gets a thank-you with a link straight into the session.
  • need another time? move it yourself — pick any free time that fits the hours you booked, right up to the moment it starts.

it runs itself once — then start the session yourself, log a few moments, end it.

live demo — try it.
session control.

stamps the actual start time — the booked slot is untouched.

05 · the busywork.

emails that send themselves.

the admin that usually eats your day runs quietly in the background — requests, confirmations, reminders, delivery dates and new versions all go out on their own, in your language.

  • session confirmations reach the whole band, not one inbox — with the address and a one-tap sign-in link.
  • the studio approves requests in one click, straight from the email.
  • a reminder a week out, another the day before, another a couple of hours before.
  • if a session moves, the mail carries the old time next to the new one — and if we have to say no, it says why.
  • when your record moves, you hear about it — without asking.
  • when we give your work a delivery date, you're told what it is — and told again if it moves, with the date you were holding next to the new one.
  • a new version goes up and the mail says so. two uploads a few minutes apart are still one email, about the newer one.
watch it — or replay.
inbox 0 unread
  • from: dreamsdemos. 09:04 to: the studio new session request. PIGS DON'T FLY want thursday 17:00 — approve or decline in one click.
  • from: dreamsdemos. 09:06 to: the whole band your session is confirmed. the address is inside, plus a one-tap sign-in link to your session.
  • from: dreamsdemos. 18:00 to: PIGS DON'T FLY progress update for PIGS DON'T FLY. OFF THE ALBUM moved to mixing — a new version is up in your hub.
  • from: dreamsdemos. 18:02 to: PIGS DON'T FLY OFF THE ALBUM has a new delivery date. thursday the 18th, not the 11th — the date you were holding is in the mail too.
  • from: dreamsdemos. 18:03 to: PIGS DON'T FLY a new version of OFF THE ALBUM is up. mix v5 — play it in your hub, or leave a note on the second it happens.
every email goes out in the recipient's language — english or español.

06 · shape it.

revisions.

revision rounds keep feedback structured: every note names its section and its second, and gets resolved in place with a line saying what was done — including the times we did something other than what you asked, and why. the next version shows exactly what was fixed since.

and when it's easier said than typed, say it. a voice note is a note like any other here — it sits in the same round, at the same second of the same section, and it gets resolved the same way. no separate inbox to go digging through later.

try it: resolve the open note — and read what the studio wrote back.

live demo — try it.
revision 2 / 2
SHAKE IT ALL
revision 2 in progress mix v6 · latest

to address on this version

  • chorus — SHAKE IT ALL1:12 drop the second guitar in the chorus — it's crowding the vocal.
    not addressed
  • verse 2 — SHAKE IT ALL1:48 the harmonies are so wide they swallow the lead.
    what was done

    pulled the harmonies in closer and tucked them under the lead in the second half.

    resolved
  • whole track — SHAKE IT ALL the whole thing is a touch louder than the rest of the record.
    resolved
  • bridge — SHAKE IT ALL2:05 voice note · 0:41
    what was done

    took the guitar off the last four bars like you hummed it — the room does the work there now.

    resolved

fixed since revision 1

  • verse 1 — SHAKE IT ALL0:24 the harmonies hiss on every s.
    what was done

    softened the s's on the harmonies — same brightness, no hiss.

    resolved
  • chorus — SHAKE IT ALL1:02 the kick and the bass trip over each other.
    what was done

    moved the kick a hair later and cleared some low end out of the bass, so they land together.

    resolved
  • bridge — SHAKE IT ALL2:40 the guitar echo is too much — only at the ends of lines?
    what was done

    the echo only catches the ends of the lines now, not the whole bar.

    resolved

07 · sign it off.

sign-off and delivery.

notes are only half of it. at some point a version is simply good, and you get to say so in one press — the round closes, nobody can add to a conversation that has an answer, and what's left is the files we owe you.

two demos. press through them — they work.

live demo — try it.
your hub.

OFF THE ALBUM — mixing

mix v5

approving finishes the notes on this job and asks the studio for the files. you can undo it.

  • chorus — OFF THE ALBUM1:12 the vocal sits right now — that's the one.
    resolved

one press ends the conversation, and the page says so rather than just refusing — the rounds stay readable behind a fold, because locking a record is not the same as deleting it. changed your mind? undo it.

08 · split it.

who owns what, before it's a problem.

a song carries two pies — who wrote it, and who owns the recording — and they are not the same people in the same proportions. this is somewhere to work yours out: you set the numbers, and it shows you what they come to.

  • the composition and the master, kept apart, the way the money actually arrives.
  • your numbers. nobody here decides anybody's share — this is a calculator, not a ruling.
  • put a number on what it earned and see the take-home, per person.
  • saved on the song, so the conversation happens once instead of every time it comes up.

try it: move a share.

live demo — try it.
splits.

3. OFF THE ALBUM — PIGS DON'T FLY

if it earned €1,000
  • youwriter 50% €0
  • your co-writerwriter 30% €0
  • your producerproducer 20% €0

This is a learning tool, not legal advice. Real splits are set by signed agreements between everyone involved.

09 · share it.

play it for the label before it exists.

preview links open an unpublished release page to whoever holds them — no account needed. a link opens a whole project or a single song, and you can pull it back at any moment: the page and the music both stop.

and they last exactly as long as you say: a day, a month, six months, a date you pick off a calendar — or no expiry at all, and then it simply stops the day the record publishes, because by then it's the public page anyway.

and when somebody needs one file rather than a page — a mix for the mastering engineer, a bounce for the video — that file gets a link of its own — a player and a download — and you revoke it on its own.

try it: create a link, then revoke them all and watch the visitor's side.

live demo — try it.

preview links.

  • the whole project expires in 14 days
    open
preview · not yet published.

'til DEATH do us PARTY PIGS DON'T FLY

true story: this record gets shared with exactly this kind of link — the same ones, minted the same way.

10 · release it.

the portfolio you didn't have to build.

your public release page isn't extra work — it's what's left when the work is done. one publish flips it live: tracklist, player, streaming links, and credits inherited from every song in liner-note order.

  • credits entered per song merge up to the album automatically.
  • spotify, apple music and the rest, right on the page.
  • published means published — the same page your preview link was showing, now live for everyone.

try it: press publish — it's the one button we press.

live demo — try it.
preview · not yet published.
Eyes closed, mind full throttle — EP cover art

Eyes closed, mind full throttle PIGS DON'T FLY · november 2025

11 · your people.

bring your people.

artists live in it. managers watch over it. labels get let in exactly as far as you choose. same record, three doors.

  • your hub: every project and song, and every version playable right in the browser.
  • leave revision notes yourself — on the exact version, at the exact second.
  • sign in the way you like — a magic link from your inbox, google, or a password. no wrong door.
  • lyrics you can edit and approve line by line, and sessions you can review.

the short version.

what you actually get.

most records get made across a drive folder, a chat thread and an inbox, and they do get made. this is what each of those costs you on the way — and what stands in its place here.

the usual way here
  • the record lives in a drive folder, a chat thread and somebody's memory. one project, every song on its own five-stage pipeline, and one glance tells you where they all stand.
  • the words are in a notes app, and whoever has the newest screenshot is right. one writing surface that autosaves, keeps every version, and gets agreed on line by line.
  • “can you send the latest?” the latest is already in your hub — and it emailed you, in your language, the moment it landed.
  • notes written at 2am as “the bit after the second chorus”. a note on the exact second of the exact version — typed or spoken — answered in writing.
  • it's finished when nobody replies to the thread any more. it's finished when you press one button: the round closes and the files you're owed are named.
  • the splits conversation happens after the record is out. composition and master worked out before it is, and saved on the song so it happens once.
  • an mp3 in a transfer that dies next tuesday, and a website to build afterwards. a link that lasts exactly as long as you say, and a release page that was already there.
  • everyone who needs to see it is in a different app, or waiting on a screenshot. your people let in by name, one project at a time, and out again the moment you say.

none of that is a complaint about how records get made — it's just what the old way costs, quietly, over the months a record takes. every line on the right is something you pressed further up this page.

good to know.

questions, answered.

do i need an account to work with you?
no — you can book a session and receive a cloud link without one. a free account gives you a hub: your projects, songs and files in one place.
what's in my hub?
every project and song you have with us, every version playable right in the browser, lyrics you can edit and approve a line at a time, your sessions, and a splits calculator on each song.
how do i sign in?
however suits you: a magic link — one tap from your inbox, nothing to remember — or continue with google, or a password if you would rather have one.
do i have to download my files?
no. every version plays straight in the browser — no downloading mp3s back and forth — and the full files are there to download when you want them.
is everything kept organized and safe?
yes — your projects, songs, versions and files all hang together, and every change records who made it and when, so nothing gets lost.
can i share unreleased music safely?
yes — a preview link opens a whole project or a single song, and one file can have a link of its own, with a player and a download. each lasts as long as you say — days, months, or no expiry at all — and any of them can be revoked at any moment, which stops the music as well as the page. an unreleased page stays out of search until it's published.
will i know when something moves?
yes — booking requests, session confirmations, delivery dates, new versions and progress updates all email themselves, in english or español.

ready when you are.

make your next record this way.

book a session and start a project — we'll keep the rest organized.

book a session.